Lidia González

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BUENOS AIRES, 1955

« The photographic record of women with their backs turned and social demonstrations were the gateway to an expanded and moving drawing.
The sewing machine and my own hand are tools with which I draw stitches, threads and knots, women who manifest themselves in their journey ».
Lidia González arches her back, as in a mimetic act to make her seams and, in that task, she is so feminine that she frees her characters who walk on the paper, realizing her destinies.