Mauro Kronstadiano Fiore

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ITALY, 1972

In his most recent works, Mauro Kronstadiano Fiore chooses paper as a support, which becomes a “fragment” and “mirror” in which the images are presented in a fluid and delicate way, appearing only for a moment on the threshold, as if held by the surface. In the field of centrifugal forces of these flux works, of the threshold, even the geometric element seems to assume an alienating dimension. The picture, the surface on which the images flow, is an observatory of the time of existence, a window on the past and present history, which can only manifest itself by fragments.