Rui Matos

PORTUGAL, 1959

Rui Matos’s sculpture has progressed over the years towards dematerialization and lightness.
Assuming his work as a storyteller, we can follow the story of his artistic journey from a primordial human condition with the use of slate in Organs and Artifacts (1987) until starting using iron and reaching an age of writing and tattooing memories and paths on a surface that reaches far beyond: The Skin of Things, Any way out from the logic of language can be the entry in a revealing dictionary , Out of a known map .

No products were found matching your selection.